First Minutes With the Apple iPad

It's still syncing. While I prepare myself for the inevitable post-purchase depression and "why can't I do that, Mr. Jobs" revelations, here are some unboxing pictures and a video from my Posterous page.

At some point I'll list the pros and cons. But I'm done with the posting and tweeting today. I doubt there's much new that I could say about it.

Technology isn't my beat, so I'll leave the iPad news and reviews to my colleagues at Bits. (Here's an earlier post about how I made the purchase decision.)

For me, the iPad is first and foremost a book and media reader. My Kindle died a while back. I expect to make heavy use of not only the native iBooks reader but the Kindle for iPad reader [iTunes download], and a variety of customized apps from newspapers, magazines and comic companies, including this new app from The New York Times [free iTunes download].

I also expect this device to be good for casual gaming and for watching movies and TV, as well as casual Web surfing. It doesn't seem like a work device to me. It's more of a toy.

And if you wonder why I need a book reader, just look at this picture below. I have six more like that in our tiny Manhattan apartment. I do not want to be a latter-day Collyer brother.

A Pound of Organic Espindola From Ecuador

img_0631I happened to find myself in a Whole Foods store a week ago and noticed the wide coffee selection. Not being able to help myself, I picked up some single-source beans from Ecuador. For much of the week, I have been drinking it, mostly as espresso, alternating with the pricier Kenyan beans from an indie shop that I wrote about last week as part ofmy ongoing coffee quest. This has kept me alert through a few hours of an extracurricular project, listening to the audiobook version of "Shantaram," by David Gregory McDonald, a potboiler set in India. (It was a MacBreak Weekly pick from Andy Ihnatko). Listening to fiction is harder work than nonfiction, and this book, though entertaining and well-narrated in many accents by the award-winning Humphrey Bower, stretches to 43 hours and 3 minutes (I'm in the third hour). Coffee is needed to get through it.

Name: Organic Ecuador Espindola

Origin: Procafeq cooperative in southern Ecuador

Roasted: March 8 by Allegro Coffee

Purchased: March 8 at Whole Foods Market, Chelsea.

Description: "Perfectly balanced and beautifully complex with aromatic notes of sweet marmalade, brown sugar, lavender and honey."

Tasting notes: Apart from the audiobook, my other cultural achievements this week were to Twitter far too much and get started on clearing the TiVo of "24," "Big Love," "Battlestar Galactica," and the Jon Stewart-Jim Cramer showdown. I also made it to the 45-minutes-too-long film "Watchmen. While I was at that, I missed a Tyra-Banks related melee in my own neighborhood at a hotel visible from our kitchen window.

img_0633So it was quite a week. A week that called for coffee. And despite excessive consumption of it, I still dozed off in the middle of Will Ferrell's Bush impression on HBO last night. But it's a new day, and time to actually log my impressions of this particular coffee.

It is rare to find an actual bargain at Whole Foods, so I was pleased by the price, which was cheaper than the prices for single-source culinary beans at local indie shops. I was also pleasantly surprised to see the roasting date was the same day I was in the Whole Foods. Maybe that was just luck. Usually there has been some kind of lag time, and I have come to decide that freshness does count. The coffee geeks on the Web seem to concede that Whole Foods does a good job with its roasting partners, including Allegro. Allegro's Web site does not offer the sort of idiosyncratic tasting notes I've come to enjoy from other roasters, it did supply some details:

Espindola is produced by the 311 members of the Procafeq cooperative, one of the five associations that make up Ecuador’s small southern coffee federation. The coffee plots are a blend of Typica, Bourbon, and Caturra varietals handpicked and wet milled on each farm, although one group of 15 families collectively mills their coffee cherry at a centralized mill. After milling, the beans are fully sun dried and rested before being sent to the Federation’s new dry mill in Catamaya for hulling, sorting, and quality evaluation.

For good measure, Allegro promises to donate $10,000 to help with irrigation projects this year. As noted here before, one important part of coffee marketing is to persuade the consumer that this is not just about enjoying good coffee, but also helping the local growers in an environmentally sound way. This marketing technique was practically invented by Whole Foods. So check that box.

Let's get down to business. This coffee certainly tasted fresh. But it was lacking in something. It was not particularly sweet, and I have spent much of the week searching for the sweet marmalade, brown sugar and other traces. It is a rather simple coffee, pleasant, smooth, no bitterness. I would almost say a bit of a sour apple finish if I knew anything about these things. The main experience is of a decent, ordinary cup of coffee or shot of espresso. Perhaps this is what Allegro means by "perfectly balanced." I would not by any means call it "beautifully complex." Not once during the week has it caused me to stop and wonder, "What was that? That was interesting." It has simply done the job. It transported me nowhere except out the door. I've come to expect something more unusual in coffee these days. I'll certainly try other Allegro beans, but when this is gone, I won't seek out this particular variety again.

Wandering at the Indie Book Fair

img_7720One notable aspect of the 21st Annual Indie & Small Press Book Fair this weekend is the location, the members-only library of the General Society of Mechanics and Tradesmen, at 20 West 44th Street in Manhattan, which is also home to the New York Center for Independent Publishing. The free book fair (donations accepted, in exchange for homemade baked goods on each floor), which lasts through Sunday, is a great excuse to wander up and down the floors and halls of this fascinating building on one of the more interesting blocks of Midtown. The Algonquin Hotel, another literary landmark, is across the street. (Times have certainly changed: The hotel now lends Amazon Kindles to its guests.) It was busy with people skimming books, talking about books and buying books. Who said print is dead? We strolled about for a couple of hours, and I came home with a bag of promising oddities, including a few entries in the Continuum Books series on significant pop albums (Radiohead's "O.K. Computer" and Neutral Milk's "In the Aeroplane Over the Sea," for example) and some gifts for others that I can't list now.

The books at the tables are from small literary presses -- offbeat novels, noir story collections, journals, poetry and alternative comics that don't get promoted with big ad budgets or displays at corporate bookstores. I picked up a few that piqued my curiosity, including Dzanc Books' "Best of the Web 2008," a collection billed as the year's best writing from online literary sites. It is an interesting idea, curating all those millions of online words into something manageable.

Many of the tables at the show are staffed by the editors or publishers themselves, and sometimes the authors. You can sometimes sense waves of eagerness and anxiety as you peruse their wares, which are mostly labors of love not likely to grace best-seller lists. It was hard not to muse on the technological and economic changes faces print publishers and creators. (Notably, one of the fair's sponsors was Sony, which had a table promoting the latest model of its digital book reader.)

These small publishers will probably fare a lot better than the big ones in the webby future. Even so, the digital revolution and the country's economic problems are a subtext of the book fair's lectures, readings and other presentations on topics like memoir writing, getting an agent, comics and "the next digital age."

One of Sunday's main events is a 1 p.m. "debate" between Matt Taibbi of Rolling Stone and the cartoonist David Rees ("Get Your War On") . The topic: "How Doomed Is America?"

That is to be followed at 2 p.m. by a panel on the future of independent publishing. The description reads:

As new technologies once again turn the publishing world on its ear, small presses are surviving -- and thriving -- by embracing alternative publishing models, from limited editions that treat books as collectible objects, to innovative multimedia that make digital books more fluid, interactive and open source.

The final event of the day is a 4 p.m. trivia smackdown pitting representatives of PEN versus a team of literary bloggers, billed jokingly (I think) as "a showdown between new media and the old guard."

Podcast Zeitgeist, Oct. 19

Lately my music library has languished as I have loaded up my iPhone with podcasts of a certain type: Men (mostly) talking about gadgets, technology, movies, stuff on the Web, games, women, and news of the weird, among other topics. The list:

  • "Diggnation" Perhaps the most well-known podcast on the list. In various video and audio formats. Kevin Rose and Alex Albrecht drink beer and sit on a couch, going down the list of the top stories at Digg.com. Frequency: Weekly. Duration: 45 minutes or so, video.
  • "Smodcast" The director Kevin Smith and producer Scott Mosier shoot the breeze about making and watching movies, comics, growing up in New Jersey, porn and other topics. Weekly. An hour or more, audio only.
  • "The Totally Rad Show" Alex Albrecht is joined by Dan Trachtenberg and Jeff Cannata, for reviews of movies, TV shows, comics and video games. Weekly. About an hour, video.
  • "This Week in Tech" and "MacBreak Weekly" Two podcasts from Leo Laporte's Twit.tv empire that bill themselves as reviews of the week's technology and Apple news, with John C. Dvorak, Merlin Mann, Alex Lindsay, Scott Bourne and other regulars. But it's really a bunch of geeks and nerds shooting the breeze. Weekly. Each is about an hour and a half, or 50 minutes if you fast-forward through the improvised ads, which can get tedious. Another way to watch: Live on video, with a rolling peanut gallery chat room under the screen, and the talking goes into overtime.
  • "Uhh, Yeah Dude" Description: "A weekly roundup of America by two American Americans," Seth Romatelli and Jonathan Larroquette. Energy drinks. The week in Florida. Readings from Craigslist. Prescription drug side effects. Hip hop vs. country. Men behaving badly. Why Robin Williams is not funny. Encounters with borderline celebrities in Los Angeles. Sobriety. Veganism. The Dallas Cowboy cheerleaders, and more. Frequency: Weekly. Run time: About an hour.
  • "You Look Nice Today," which is billed as "A Journal of Emotional Hygiene." A dadaist conversation between lonelysandwich (Adam Lisager), hotdogsladies (a k a Merlin Mann of 43 Folders), and scottsimpson (Scott Simpson). With voice chapter headings by the guy who plays the PC in Mac ads. Frequency: Fortnightly or so. Length: 30 minutes.

What they have in common: Guys who genuinely like each other talking about topics they love, with echoes of long ago bull sessions and late nights in bars. The best of them -- "U.Y.D.," "Smodcast" and "You Look Nice Today" -- have been known to provoke chuckles and guffaws. Maybe even some chortling. Update: On Oct. 29, I started posting some impressions of the latest episodes of these and other podcasts that have interested me for a while.

What I'm Supposedly Reading

The big one right now is "Anathem" by Neal Stephenson, a work of speculative fiction set on another planet (apparently), weighing in at more than a pound and 937 pages. For some reason I am a sucker for big books. I am also working my way through a stack of comix, graphic novels and illustrated memoirs, including: