The Public Editor Joins the Cocktail Party

Arthur S. Brisbane, the public editor of The New York Times, turned his attention this week to the newsroom's use of Twitter. He quoted from an e-mail interview with me, which I am posting in full here, with a few tweaks and links. The Public Editor: I’m working on a column about how Times staffers use Twitter: the journalistic benefits, the marketing benefits and any other benefits – as well as the costs, whatever they might be. I am, I confess, a newcomer to using Twitter and wonder whether it is a boon or a waste of time.

@palafo: Is talking to people a waste of time? Sometimes it is, I guess. Twitter is a conversation. You get what you put into it. I don’t think talking to our readers is ever a waste of time.

That’s the short answer. Here’s the long one.

I view my Twitter account @palafo as part of my identity. It does not belong to The Times any more than my name does.

But The Times is part of my identity, too, because I am an editor here. For that reason, I behave on Twitter as I do in the newsroom or on a public panel. I try not to say anything on Twitter that I wouldn’t say in front of a live microphone with cameras rolling.

Background: I joined Twitter in 2007 when few people in the newsroom knew what Twitter was, and I didn’t hide my Times employment, but I didn’t advertise it at first, either. At the time, I was on the Metro desk, where I was editor of the City Room blog. We were always looking for ways to engage online with New Yorkers. The blog had an automated Twitter feed, but it had fewer followers than my account (still true, alas). It turns out that a personal touch on Twitter was more successful than spitting out headlines. So I identified myself on Twitter as the blog’s editor and started interacting with readers through it.

In my current job, editor for news presentation, I oversee copy editing and production for print and Web, and I continue to experiment with all the social media tools, including Twitter. I have a responsibility to understand the digital media innovations transforming journalism and the news business.

But I admit it: I love this stuff. I’ve been on the Internet since it was the Arpanet, when I was a teenager in the 1970s. Twitter reminds me of the computer bulletin boards, Usenet newsgroups and other online forums of the early days. The rest of the world has finally caught up.

Now, to your specific questions...

The Public Editor:What are the benefits to you of tweeting and what kind of content do you tweet?

I follow about 1,100 news organizations and blogs, competitors, Times colleagues and other journalists, people who follow the news closely, media critics, tech experts, some friends and acquaintances and anyone or anything anything else that catches my interest. I try to pare the list back from time to time. It was easier to follow when it was closer to 500. I also have a number of Twitter lists with even more accounts that I consult from time to time. I have a list that shows how Twitter looks to me.

These Twitter users “curate” the Web for me, which means they find, analyze and comment on useful links that interest me far more quickly than I could ever do for myself. If they link to something that grabs my attention, I will generally look at it or save it for later. I don’t read everything. I dip into Twitter when I have time. The analogy is a cocktail party. You can’t join every conversation, but you drift through the crowd and stop now and then. Important or significant news gets repeated, and it sometimes shows up in the trending topics.

Often I learn about news from Twitter. Your predecessor, Clark Hoyt, wrote about Twitter’s role in a big story in 2009 that was an aha moment for me and the newsroom, when a jetliner landed in the Hudson River.

But Twitter is more than a tip sheet or a place to find sources. It is important to remember the “social” part of social media.

Since the people on Twitter share so much useful information with me, I try to give back to them by interacting there. I don’t write about my lunch, or anything too personal. Mostly, I share links. The links are generally to news articles, blog posts, interesting uses of digital media, pictures, video, you name it. I follow our newsroom policies for personal Web writing, which permit journalism reflections, and lively commentary on one’s avocations like music and food, but forbid taking stands on divisive public issues.

I am not a Times spokesman or a marketer. I share a lot of our journalism on Twitter, because it is excellent. I don’t feel obligated to do so, and I don’t share everything. The article has to interest me personally as a reader and be something that I think my Twitter followers will like. People can tell when you are just randomly pumping your own stuff or your employer’s offerings. Luckily, Times journalism — I am biased about this -- is almost always of a high caliber.

Unlike Facebook, Twitter is asynchronous, so I am followed by about 10 times more people than I follow back. Sometimes they want to talk to me. So I read all “mentions” directed at me on Twitter. People know I’m busy, so they don’t abuse the opportunity. I ignore anonymous gripes, but people who use their real identities are generally polite even if they are upset about something The Times has done. If someone like that has a question, a correction, or a criticism, or a technical problem, I try to answer it or find someone who can.

The Public Editor: Do readers benefit and, if so, how? Does The Times benefit and how?

As everybody knows, over the last several years Twitter and social media have grown at a great rate, and many news sites, including The Times, now receive a growing amount of traffic from referrals on Twitter and other social media sites. Having our journalists on Twitter also translates into credibility with readers who live their lives online. It shows we understand the digital world and how it works.

More important, The Times and its readers benefit from a newsroom that understands digital culture and is familiar with the conversations about the news on Twitter, Facebook, Reddit, Tumblr, blogs and similar sites.

The news report and readers also benefit from the news-gathering power of tools like Twitter. Brian Stelter has used Twitter to develop ideas that have turned into articles.Rob Mackey of The Lede blog (@thelede) has shown how news events from earthquakes to political revolutions have played out on Twitter, YouTube and other social platforms.

In general, sites like Twitter have accelerated news competition. Not all of the effects of high-speed social media have been positive. Rumors and bad information spread faster — but they are also debunked faster. The pressure to compete in real time, and the transparency and immediate feedback from readers can be nerve-racking and destabilizing. But competition is good for everyone. We are closer to our audience, and they are closer to us. That results in a better news report.

The Public Editor: Are there any costs to you, or the Times, of using Twitter as a tool? Surely, it takes time. Does that time subtract from the time available to do your job? Any other costs?

It doesn’t take away from the job. If anything, the job probably eats into many more hours of my personal time than it should. Or so my wife tells me.

Part of my job is to read The Times and its competitors, a task that could fill every hour of my day if I let it. Twitter is a useful tool for figuring out priorities for my attention. It doesn’t take that much time. At work, I use an iPhone app, and there’s always down time, walking down the hall, waiting for stragglers at a meeting, riding the elevator, while I’m grabbing a bite to eat. It only takes an extra second to save a link or share it. At home, I’ll look at Web sites and Twitter on my laptop, phone or iPad while I’m watching TV or listening to music, a podcast or an audiobook. I am busiest on Twitter at night and on weekends. The Web and Twitter have definitely cut into time I used to spend reading books.

Another cost is the occasional irritation of family and friends, although e-mail is a worse cause of inattention and wasted time. I’ve been trying harder lately to turn off devices and get off the grid away from work. It’s not easy. The people I know are like me: They talk about the news a lot, and they want to know the latest news, too.

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Addendum:As I mentioned on Twitter, I might have chosen a different metaphor had I known the headline was going to be "A Cocktail Party With Readers." The analogy is as old as Twitter, and useful for newbies, but it doesn't capture everything:

Other analogies for Twitter: Cafe. Neighborhood. Village square. Crowded public meeting. Parade ground. War zone.Sun Mar 13 15:41:30 via webPatrick LaForge

palafo

@palafo Classroom back row. Street corner. Water cooler. Kindergarten. TED.Sun Mar 13 15:48:12 via EchofonMiss Scorpio

gemini_scorpio

@palafo Real-time peer-review; collaborative footnotes and bibliography.Sun Mar 13 16:07:31 via webJenny K

jenny_flaneuse

@palafo Roman bath house with hash tags. #TwitterSun Mar 13 15:44:18 via EchofonDavid Herrold

davidherrold

@palafo I thought analogy worked well to convey level of involvement in conversations, but i'd prefer cafe for a.m., maybe mosh pit for p.m.Sun Mar 13 15:55:36 via webSasha Koren

SashaK

Podcast Zeitgeist, Nov. 28

Here's my weekly roundup of podcasts from selected geeks, nerds, kooks, freaks, comedians, self-styled tech gurus and other denizens of the audio Web, in the order I listened this week:

  • "Extra Life Radio, #202, #203, and #204" "Geek tested, nerd approved!" A likable group of geeks and nerds, Scott Johnson and his friends are Web comics artists who talk about films, TV, gaming and comics, among other topics of a certain type. The first episode ("Vacillating Two Oh Two") encapsulated what I value in a podcast -- a deep and serious discussion that makes me care about a niche interest, in this case, Web comics. The next episode (#203 "Spinimal!") was a wide-ranging discussion of movies. The Thanksgiving episode (#204, "Choot the Turkey") was the least compelling, more movie talk and a long, easily skipped conversation about soccer parents (they often take a good 15 to 20 minutes to warm up). This podcast was the winner in the general category of the mostly meaningless 2008 Podcast Awards, sponsored by the marketing company Podcast Connect Inc. The contest bases the awards on how many fans repeatedly click on an unscientific online survey, as Mr. Johnson, to his credit, notes. He and his co-hosts also won for a "World of Warcraft" gaming podcast, The Instance. Length: Ranging from 1 hour, 7 minutes to 1 hour, 32 minutes. Released: Nov. 12, Nov. 17 and Nov. 25.

  • "The Bugle: Episode 54, The Las Vegas Special" John Oliver, best known for his appearances on "The Daily Show," and Andy Zaltzman are responsible for this weekly comedy podcast from TimesOnline.co.UK. It is relatively clean and amusing, although sometimes difficult to follow, because the comics have similar voices and insist on speaking British. It may be the only place you'll ever hear a joke that compares Joe the Plumber to Gore Vidal. I usually don't subject my wife to podcasts, but Jane, a wannabe Anglophile, listened to this one and thought this line was hilarious: "The ultimate Scottish dream, Germany beating England in a World Cup football final." I'll take her word for it. The audio quality is a little muddy. Length: 35:11. Released: Nov. 23.
  • "Diggnation, Episode 177: Multiview Diggnation Remix" Kevin Rose and Alex Albrecht skipped the beer this time, because Kevin had a bad cold. That does not excuse the much-noted exchange that came next, starting around 3:29, a riff on domestic violence that eventually prompted a public apology from Rose, the millionaire founder of Digg: "There is only one time you can strike [a woman] -- if she kicks you in the balls, you have the ability and the right, to punch her in the teat ---it's just like that -- it's kinda like tit for tat. ... It hurts them, it does too - or take a scissors to the teat." On the video, he made a cutting action with his hand. Har har, boys. Perhaps they should go back to taping this videocast drunk. Or stick to the script. My morbid curiosity satisfied, I skipped the rest. (Diggnation was nominated but did not win in the video category of the mostly meaningless Podcast Awards). Length: 48:07 minutes. Released: Nov. 21.
  • "You Look Nice Today: Faux Tog" Once again, the show has guests. Once again, they are John Hodgman and the Brooklyn singer-songwriter Jonathan Coulton. Chess jokes. Discussion of a universal template of dreams from Merlin Mann: "You're naked, there's a test, there's ladies..." In New York, dreams are often about discovering extra secret rooms in your tiny apartment. A discussion of horrible jobs, including work at a Lego store at the Mall of America on Black Friday, a true story. This show was voted best comedy podcast by the largely meaningless Podcast Awards. Released: Nov 24. Length: Back to the usual 32:12 or so minutes.
  • "Vomitus Prime 83: Make Chips!" I'm a longtime fan of sick humor. But it's possible to go over the edge, and this podcast crossed into misogyny with vulgar words for women this week and last. Their fans may argue that it's all an act, and that this kind of humor is guaranteed to misfire once in a while. Maybe I'm an old fogey for cringing at this stuff, but I just can't listen to it. I say that with some regret. These guys are likable and produce some promising satire -- chewable children's Vicodin? funny idea -- but they lost me with the trash-talking of women purely for shock value. Delete. Unsubscribe. Goodbye. Length: 1 hour, 13 minutes (didn't finish). Released: Nov. 23.
  • "Uhh, Yeah Dude, Episode 142." This podcast shows how to be funny without being a jerk. Co-hosts Jonathan Larroquette and Seth Romatelli sometimes crack sexual and scatological jokes, but you never sense that they disrespect women, or anybody. Even when their humor is in poor taste, they are self-deprecating and never mean-spirited. Their stance is one of apology for male stupidity and mock-horror at tabloid America. (Here's an early profile of their show, now nearing the end of its third year). This week, they riff about Black Friday and again mock the horrifying "Brocabulary" (see related viral marketing). They goof on the immaturity of the NSFW Land O Lakes Indian Maiden trick; a terrible cameo by Jason Alexander (Seinfeld's George) as a serial killer on "Criminal Minds"; Florida write-in votes; pathetic cocaine addicts; the healthiest and least healthy cities, Burlington, Vt., and Huntington, West Va.; the newFinal Jeopardy music; a landlord who secretly taped 34 female tenants for 19 years; and toddler fights on YouTube, among other disturbing topics. Released: Nov. 25. Length: 1 hour, 27 seconds..
  • "MacBreak Weekly 116: Compressed Bits of Cheese Leo Laporte starts: "We had a show lined up..." Uh-oh. A guest shortage. Leo is alone with Andy Ihnatko, the entertaining tech writer for The Chicago Sun-Times. It's an entertaining show, nonetheless. They discuss the absurd Typepad journalist bailout program publicity stunt and the troubles of print journalism. Snow Leopard operating system update: not a major release? The allure of iPhone games; Leo killed his virtual villagers. They are joined at 21:57 by Rich Siegel of Bare Bones Software, which makes Yojimbo and BBSEdit. Problems with iPhone pricing and app structure. Is Google Mobile app getting special treatment from Apple? The iPhone app approval and rejection process. Andy still has the long iPhone backup problem. Leo says uncheck "send diagnostics to Apple" (that worked for me, too -- here's the how-to.) Danger: Obscure bug. Don't run your MacBook without its battery. Twitter hires the developer behind I Want Sandy and Stikkit, free services that will now die. A mercifully brief Audible ad. The week's picks: Besides the new version of Andy's iPhone book (not out yet), Uli's Talking Moose (free, a weird bit of Apple history dating to 1986), and Screenium, Cyberclean (See the handy and awesome MBWPicks for details). Length: 1 hour, 32 minutes. Release date: Nov. 26.
  • "This Week in Media 116: Dear Journalist" The host, Daisy Whitney, is joined by my colleague Brian Stelter of TV Decoder, Alex Lindsay of Pixelcorp, David Cohn, founder of spot.us, Patrick Thorton, of beatblogging.com. They go right to the heavy stuff: Will 2009 be the year of the great newspaper massacre? Are we no longer in a general interest media world? Will niche journalism dominate media in the future? Will citizen journalism supplant professional corporate journalism? What about hoaxes like the Steve Jobs heart attack rumor on CNN? The two types of online journalists, "thinkers and linkers." Some J-school-style debate about the "myth" of objectivity. Length: 55:33 minutes. Release date: Nov. 25.
  • "TWIT 170: Mile High Wi-Fi" This Week in Tech won the technology/science category in the mostly meaningless 2008 Podcast Awards. The host, Leo Laporte, is joined in this episode by Tom Merritt, Ryan Block, and Alex Lindsay. The topics: smartphones, wireless access on Virgin America, SearchWiki from Google, and, of course, the death of print media, starting with the move of PC Magazine to an entirely digital product. Block: "People interested in technology are not buying print magazines." A discussion of what this means for other print products. They take a break for a 5-minute Audible.com ad and some more gadget talk, then return to the death of print, with references to many articles first printed by newspapers (whatever will they talk about if all the newspapers do die?) Obviously, this is Topic A in the tech expert echo chamber. Their endless fascination with this topic, combined with a boundless enthusiasm for the online future, has an undercurrent that's a tad ... bubbly. They seem to think that Web media businesses will be spared in a major crash. Not likely. Length: 1 hour, 16 minutes. Release date: Nov. 24.