The Public Editor Joins the Cocktail Party

Arthur S. Brisbane, the public editor of The New York Times, turned his attention this week to the newsroom's use of Twitter. He quoted from an e-mail interview with me, which I am posting in full here, with a few tweaks and links. The Public Editor: I’m working on a column about how Times staffers use Twitter: the journalistic benefits, the marketing benefits and any other benefits – as well as the costs, whatever they might be. I am, I confess, a newcomer to using Twitter and wonder whether it is a boon or a waste of time.

@palafo: Is talking to people a waste of time? Sometimes it is, I guess. Twitter is a conversation. You get what you put into it. I don’t think talking to our readers is ever a waste of time.

That’s the short answer. Here’s the long one.

I view my Twitter account @palafo as part of my identity. It does not belong to The Times any more than my name does.

But The Times is part of my identity, too, because I am an editor here. For that reason, I behave on Twitter as I do in the newsroom or on a public panel. I try not to say anything on Twitter that I wouldn’t say in front of a live microphone with cameras rolling.

Background: I joined Twitter in 2007 when few people in the newsroom knew what Twitter was, and I didn’t hide my Times employment, but I didn’t advertise it at first, either. At the time, I was on the Metro desk, where I was editor of the City Room blog. We were always looking for ways to engage online with New Yorkers. The blog had an automated Twitter feed, but it had fewer followers than my account (still true, alas). It turns out that a personal touch on Twitter was more successful than spitting out headlines. So I identified myself on Twitter as the blog’s editor and started interacting with readers through it.

In my current job, editor for news presentation, I oversee copy editing and production for print and Web, and I continue to experiment with all the social media tools, including Twitter. I have a responsibility to understand the digital media innovations transforming journalism and the news business.

But I admit it: I love this stuff. I’ve been on the Internet since it was the Arpanet, when I was a teenager in the 1970s. Twitter reminds me of the computer bulletin boards, Usenet newsgroups and other online forums of the early days. The rest of the world has finally caught up.

Now, to your specific questions...

The Public Editor:What are the benefits to you of tweeting and what kind of content do you tweet?

I follow about 1,100 news organizations and blogs, competitors, Times colleagues and other journalists, people who follow the news closely, media critics, tech experts, some friends and acquaintances and anyone or anything anything else that catches my interest. I try to pare the list back from time to time. It was easier to follow when it was closer to 500. I also have a number of Twitter lists with even more accounts that I consult from time to time. I have a list that shows how Twitter looks to me.

These Twitter users “curate” the Web for me, which means they find, analyze and comment on useful links that interest me far more quickly than I could ever do for myself. If they link to something that grabs my attention, I will generally look at it or save it for later. I don’t read everything. I dip into Twitter when I have time. The analogy is a cocktail party. You can’t join every conversation, but you drift through the crowd and stop now and then. Important or significant news gets repeated, and it sometimes shows up in the trending topics.

Often I learn about news from Twitter. Your predecessor, Clark Hoyt, wrote about Twitter’s role in a big story in 2009 that was an aha moment for me and the newsroom, when a jetliner landed in the Hudson River.

But Twitter is more than a tip sheet or a place to find sources. It is important to remember the “social” part of social media.

Since the people on Twitter share so much useful information with me, I try to give back to them by interacting there. I don’t write about my lunch, or anything too personal. Mostly, I share links. The links are generally to news articles, blog posts, interesting uses of digital media, pictures, video, you name it. I follow our newsroom policies for personal Web writing, which permit journalism reflections, and lively commentary on one’s avocations like music and food, but forbid taking stands on divisive public issues.

I am not a Times spokesman or a marketer. I share a lot of our journalism on Twitter, because it is excellent. I don’t feel obligated to do so, and I don’t share everything. The article has to interest me personally as a reader and be something that I think my Twitter followers will like. People can tell when you are just randomly pumping your own stuff or your employer’s offerings. Luckily, Times journalism — I am biased about this -- is almost always of a high caliber.

Unlike Facebook, Twitter is asynchronous, so I am followed by about 10 times more people than I follow back. Sometimes they want to talk to me. So I read all “mentions” directed at me on Twitter. People know I’m busy, so they don’t abuse the opportunity. I ignore anonymous gripes, but people who use their real identities are generally polite even if they are upset about something The Times has done. If someone like that has a question, a correction, or a criticism, or a technical problem, I try to answer it or find someone who can.

The Public Editor: Do readers benefit and, if so, how? Does The Times benefit and how?

As everybody knows, over the last several years Twitter and social media have grown at a great rate, and many news sites, including The Times, now receive a growing amount of traffic from referrals on Twitter and other social media sites. Having our journalists on Twitter also translates into credibility with readers who live their lives online. It shows we understand the digital world and how it works.

More important, The Times and its readers benefit from a newsroom that understands digital culture and is familiar with the conversations about the news on Twitter, Facebook, Reddit, Tumblr, blogs and similar sites.

The news report and readers also benefit from the news-gathering power of tools like Twitter. Brian Stelter has used Twitter to develop ideas that have turned into articles.Rob Mackey of The Lede blog (@thelede) has shown how news events from earthquakes to political revolutions have played out on Twitter, YouTube and other social platforms.

In general, sites like Twitter have accelerated news competition. Not all of the effects of high-speed social media have been positive. Rumors and bad information spread faster — but they are also debunked faster. The pressure to compete in real time, and the transparency and immediate feedback from readers can be nerve-racking and destabilizing. But competition is good for everyone. We are closer to our audience, and they are closer to us. That results in a better news report.

The Public Editor: Are there any costs to you, or the Times, of using Twitter as a tool? Surely, it takes time. Does that time subtract from the time available to do your job? Any other costs?

It doesn’t take away from the job. If anything, the job probably eats into many more hours of my personal time than it should. Or so my wife tells me.

Part of my job is to read The Times and its competitors, a task that could fill every hour of my day if I let it. Twitter is a useful tool for figuring out priorities for my attention. It doesn’t take that much time. At work, I use an iPhone app, and there’s always down time, walking down the hall, waiting for stragglers at a meeting, riding the elevator, while I’m grabbing a bite to eat. It only takes an extra second to save a link or share it. At home, I’ll look at Web sites and Twitter on my laptop, phone or iPad while I’m watching TV or listening to music, a podcast or an audiobook. I am busiest on Twitter at night and on weekends. The Web and Twitter have definitely cut into time I used to spend reading books.

Another cost is the occasional irritation of family and friends, although e-mail is a worse cause of inattention and wasted time. I’ve been trying harder lately to turn off devices and get off the grid away from work. It’s not easy. The people I know are like me: They talk about the news a lot, and they want to know the latest news, too.

###

Addendum:As I mentioned on Twitter, I might have chosen a different metaphor had I known the headline was going to be "A Cocktail Party With Readers." The analogy is as old as Twitter, and useful for newbies, but it doesn't capture everything:

Other analogies for Twitter: Cafe. Neighborhood. Village square. Crowded public meeting. Parade ground. War zone.Sun Mar 13 15:41:30 via webPatrick LaForge

palafo

@palafo Classroom back row. Street corner. Water cooler. Kindergarten. TED.Sun Mar 13 15:48:12 via EchofonMiss Scorpio

gemini_scorpio

@palafo Real-time peer-review; collaborative footnotes and bibliography.Sun Mar 13 16:07:31 via webJenny K

jenny_flaneuse

@palafo Roman bath house with hash tags. #TwitterSun Mar 13 15:44:18 via EchofonDavid Herrold

davidherrold

@palafo I thought analogy worked well to convey level of involvement in conversations, but i'd prefer cafe for a.m., maybe mosh pit for p.m.Sun Mar 13 15:55:36 via webSasha Koren

SashaK

Podcast Zeitgeist, Jan. 26

This week's installment is the Podcast Zeitgeist of second chances, and probably the last such post for a good long while. I'll continue to listen to a few favorites, but a hiatus is in order. This started as an effort to make some notes about what worked for me as a listener. But it became an exhausting and time-consuming exercise, particularly since I sampled many more hours than I ever wrote about. It was cutting into my Twittering time. At some point I may summarize what I have learned, or not.[See all lists.]

  • Cranky Geeks 150: Big Wig Bailouts As tech podcasts go, this is one of the best, hosted by John C. Dvorak, with Sebastian Rupley of PC Magazine, Chris DiBonaof Google and Jason Cross of Extreme.com. Topics: Steve Jobs, Bernie Madoff, the fake Belkin reviews scam, disruptive technology like location apps and more. Dvorak keeps it moving. Good stuff. Running time: 31:40 minutes including several ads. Released: Jan. 21.
  • This Week in Media 123: Guns, Drugs and DVDs</a>. Daisy Whitney, Alex Lindsay and Dr. Kiki Sanford in a meaty discussion of new media technologies like Microsoft's Silverlight and CNN's Photosynth experiment for the Obama inauguration. YouTube music takedown notices. Do you stream or download Web video? Dr. Kiki: Streaming is getting easier, but buffering is still annoying, on the road. Whitney can't be bothered to download and sync video to a device. Beware: Even without DRM, iTunes songs contain your e-mail address. Depressing news from the old media business. Running time: 1 hour 7 minutes. Released: Jan. 20.
  • MacBreak Weekly 124: The Warmth and Saturation of Analog. Scott Bourne plugs his hard-to-remember photo critique site URL. Andy Ihnatko makes the funny. Frederick Van Johnson talks about getting laid off from Adobe. They are also joined by Alex Lindsay and Lisa Bettany. Twit site show notes are getting better. The health of Steve Jobs, again. Record iPhone app downloads (or are those just updates?) See the week's hardware and software picks here, including the very cool-sounding $200 2-gig Livescribe Pen. Running time: 1 hour 54 minutes. Released: Jan. 20.
  • This Week in Tech 179: Retail Therapy Laporte again, with Dr. Kiki, John C. Dvorak, Wil Harris of Channelflip, and Andrew Horowitz. Links discussed are bookmarked on Delicious. Good show, including a discussion of how Monty Python DVD sales shot up after the creation of an official, and free, YouTube channel. (Rathole: Military recruiting ads in movies and direct mail. Laporte says his teenage son gets junk mail: "Have you thought about what you're going to do when you drop out of high school?" Dvorak: "Let's get to some of these news stories.") Twitter raising cash. Foul-mouthed Carol Bartz, new Yahoo CEO, says she will drop-kick anyone who leaks, and then the leaking starts, inculding her breezy memo about "retail therapy." She is mocked. Health of Steve Jobs, again. The story behind Microsoft Songsmith, oy. CNN Photosynth, again. Various Obama tech stories, from Barackberry to Whitehouse.gov and the federal government's tech dark age. Huge traffic at Facebook. Dvorak on how to TiVo the Super Bowl properly and Horowitz on shorting the U.S. economy. Running time: 1 hour, 42 minutes. Released: Jan. 26.
  • Geek Loves Nerd 34: In-Laws The main segment is up front, an improvement over the last time I listened. This married Missouri couple gives advice to listeners about children, relationships and more. As the cute opening song explains, James is the geek and Jenn is the nerd. This week, they give advice about in-laws that I completely endorse as a married person with a child. Best example: Don't discuss your marital problems with your parents. They will naturally side with their own child and carry the grudge long after you have forgiven your spouse and forgotten about it. This is a clean podcast, but a warning: The views of sex roles are a bit stereotypical (men = breadwinners etc.) though perhaps that is intended humorously. Running time: 53:26 minutes. Released: Jan. 23.
  • The 40-Year-Old Boy: Episode 44. O.K., so much for the clean stuff. Here's a second listen from the world of blue podcast humor. Last week, the comedian Mike Schmidt depressed his listeners with an hourlong rant about his weight problems and stomach surgery. Listeners complained. That gives him a launching pad for a funny routine that range from "anonymous artless snark" on the Internet, Kevin Bacon losing his life savings to Bernie Madoff, people who sell meat door to door and more. The three-card monte story is worth hearing. So this is funny. And it's free. But the language is explicit. Running time: 1 hour, 17 minutes. Released: Jan. 14.
  • The Futile Podcast: "And the first word was Jesus" "Deconstructing 80’s & 90’s action movies. Relating them to comics, TV, and cartoons from then and now." Well, not quite. They review the first "Dirty Harry" movie, from 1971. Clint Eastwood as Callahan. He's no cartoon Rambo. He's a 70's antihero. It's seven minutes before any dialogue is spoken. The hosts attempt to decipher the politics of the 60s and 70s, with unintentionally humorous results for old people like me. Running time: 52:16 minutes. Released: Jan. 17. "Turns out he was 15 when they shot it." A review of the recent release "The Reader," based on the book. "This movie is about German guilt." What German movie isn't? Not an action film, unless you count sex scenes. I had to tune out at the spoiler alert. Running time: 29:42 minutes. Released: Jan. 21. "That ain't no cop gun Frank." Dirty Harry II: Magnum Force (1973). The franchise goes downhill (I think) but they like it. Nice dialogue on the nature of sequels. The nice thing about the "Dirty Harry" franchise is that it made Clint Eastwood rich enough to make good movies later in his career. Running time: 27:06 minutes. Released: Jan. 21.
  • Vomitus Prime 89: C'Mere and 90: Lovin' Nancyful Another reconsideration. I listened to this podcast back in November, and I was turned off by something or other, which drew some reaction in e-mails and on blogs from fans. Hey, it was my opinion. No accounting for taste. Perhaps I have been influenced by the hours of mediocre podcasts I've scanned -- I haven't even written about most of them -- but I'm ready to revise my opinion. It is foul-mouthed, gross, sick and frequently disgusting, but also funny. The regular hosts, Bill and Will, are entertaining storytellers who remind me of people from my own misspent youth. I say this knowing that they will respect me even less for changing my mind. Oh, well. Explicit language, obviously. They aim to shock. Running times: 1 hour, 26 minutes to 1 hour, 30 minutes. Release Dates: Jan. 17 and 25.
  • Sick and Wrong Podcasts 157 and 158 So after that, I figured I might as well turn to a podcast that bills itself as the No. 1 Source for Anti-Social Commentary. The first one marks the three-year anniversary of this podcast from Dee Simon and Lance Wackerle, which may be pseudonyms. A lengthy discussion of the police shooting caught on video in the BART and subsequent protests in Wackerle's neighborhood. Phone calls from drunk Australians. They also try to answer the question, why make an amateur podcast that makes no money? Apparently, they hoped to impress women, which has failed. They also interview the host of the fromtheville podcast, which stopped for no apparent reason one day. He doesn't seem to have been doing much. In the more recent episode, Wackerle explains why he bought a gun on inauguration day. And there's something about a kangaroo in Los Angeles. Running times: 1 hour 59 minutes and 1 hour 31 minutes. Released: Jan. 14 and 21.
  • Idiotboxradio 227: My Dad, The Baby! Speaking of Australians, here's one, a really weird and funny one, with a story told in stitched-together recordings of his children saying words and phrases. It's strange. But funny. And strange. The host says: "I think that my kids don't view me as an adult. Looking at it, that belief would have merit. (And before anyone thinks I got my kids to cuss, listen to the editing please...). I have to thank my beautiful girls Ella and Chloe for helping out on this one." Not for children. Running Time: 7:14 minutes. Released: Jan. 19.
  • Uhh Yeah Dude, Episodes 150 and 151 Like their counterparts at "Sick and Wrong," Jonathan Larroquette and Seth Romatelli are also celebrating nearly three years and 150+ hours of podcasting (I have been listening to the old shows and have about 30 hours left to go). The highlights of this one: chicken pox parties for children ("worst party ever"), the usual freakish true crime and medical tales, and Seth's story about getting an (unjust) ticket for -- shocking -- not wearing a seatbelt. The big news: They have finally revamped the long-inoperative UhhYeahDude.com, with show notes and listener forums. There's even a Wiki. Good on them. And as good a reason as any to quit reviewing podcasts. If most podcasters would put up some show notes or blog posts, and allow for reader discussion, they might be surprised by what happens. I have nothing to say about episode 151, which just dropped, but I am hitting publish and listening now. Looking forward to the part about the dog. Update: the story about rescuing the dog on a fixed-gear bike was great. Running time: 1 hour, 9 minutes. Released: Jan. 19.
  • What My Smart Playlists Showed Me (3)

    Name of iTunes Playlist: The Older Faves Rules: Rating is greater than *** (3 stars). Last played is in the last 12 months. Last played is not in the last 6 months. Date added is in the last 24 months. Play count is greater than 5 times. Skip count is zero. [See all lists.]

    Top 10 From the List

    1. "Sirena" by Calexico on "Convict Pool" Playcount: 8.

    2. "Summersong" by The Decemberists on "The Crane Wife." Playcount: 8.

    3. "Story of an Artist" performed by M. Ward on "The Late Great Daniel Johnston: Discovered Covered." Playcount: 8. 4. "Yawny At the Apocalypse" by Andrew Bird on "Armchair Apocrypha." Playcount: 7.

    5. "Modern Age" by Eric Hutchinson on "...Before I Sold Out." Playcount: 7. 6. "Carballo" by The Essex Green on "Everything Is Green." Playcount: 7.

    7. "Leisure Suite" by Feist on "Let It Die." Playcount: 7.

    [youtube=http://www.youtube.com/watch?v=W2N72kXHppE&hl=en&fs=1]

    8. "The Angels Hung Around" by Rilo Kiley on "Under the Blacklight." Playcount: 7.

    9. "My Body Is a Cage" by Arcade Fire on "Neon Bible." Playcount: 6.

    10. "Click Click Click Click" by Bishop Allen on "The Broken String." Playcount: 6.

    Annotation

    The purpose of this list is to identify newish songs that were in heavy rotation on my musical devices about six to eight months ago, but which I no longer play -- songs that I might want to reconsider. I was still in the heart of a Calexico phase, apparently, but it's a different album than has popped up on other lists. This track has a lilting country Grateful Dead-like feel, with a haunting chorus of women singing in Spanish near the end, followed by the inevitable end in the Greek myth of the sirens:

    To save this sad, tragic soul Sorrow's worse than the tide's pull Sinking deeper, gasping for love Till desire navigates you Into the arms of sirena... Caught in the rip tide, smashed on the reef Joining the mass of bones underneath

    Follow that up with The Decemberists, and phrases like "..slip into a watery grave," and I have to wonder what's up with the morbid nautical theme. "...swallowed by a wave." I was thinking about heading to the beach last spring. Whatever the words, both of these songs sound beautiful. A lot of Decemberist tunes are too otherworldly for repeated listening, but this is one of the exceptions, with some interesting instruments in the background. No idea what they are, but I like them.

    I went through a serious M. Ward phase in 2006, bleeding into 2007. I bought everything I could find. No. 3 was a cover tune off a Daniel Johnston tribute album. Back in 1997 or 1998, I saw the schizophrenic Johnston perform live twice in Manhattan in separate clubs. For the second show, about 10 of us were in a circle around him about two feet away. He was obviously a painfully disturbed man. It was hard to watch, and while he writes beautiful songs, I have a hard time listening to him. Ward teases the beauty out of Johnston's song and his pain in this cover, the best on the album of covers. I recommend the 2005 documentary on Johnston, who, despite the title of this tribute, is still alive. And I also recommend you buy anything M. Ward does.

    The Andrew Bird track is an instrumental off his followup to 2005's "The Mysterious Production of Eggs," and I am surprised to see it here. It's a great song, though, haunting and mysterious.

    I don't know much about Eric Hutchinson. I think I downloaded his album on impulse one night on iTunes. There were songs I liked more than this one, but there's no arguing with the list. The track is live and ends with some chatter at the audience that grows old with repeated listens. His lyrics are a little political and funny:

    How did we every get by before data was sent? I can’t believe I got around without electrical cars

    The Essex Green, a Brooklyn-based neo-psychedelic pop band, has a sweet sound, and I like a lot of their songs, including this one. I would recommend the album "Cannibal Sea" over this one, but they're all great.

    Feist, of course, had a breakout moment when her song "1 2 3 4" was featured in iPod ads in 2007. I had a few of her songs from somewhere before that, and I downloaded more after that. I like this earlier album from 2005 more than her breakout, and while I thought liked other songs on it, like "Mushaboom," I guess there's no arguing with the playlist.

    I bought a bunch of Rilo Kiley albums in 2006 and 2007, and bought "Under the Blacklight" hoping it would be as good, but I'm not sure it was. Still, this was a pretty good song. Watch the video. Jenny Lewis is definitely the talented half of the duo, though her first solo effort struck me as a wee too precious.

    Arcade Fire is another band that I started listening to a few years ago in my Canadian music phase, having no idea what they were about or who followed them. They had a breakout moment with "Neon Bible," which is indeed an awesome album. If you asked me to name a favorite track, I would say "No Cars Go," but the list thinks I like the far more emo "My Body Is a Cage." So be it. My body is a cage that keeps me dancing with the one I love? Untrue, but moving. I still remember what that used to feel like, to be so out of place:

    I'm living in an age That calls darkness light Though my language is dead Still the shapes fill my head

    I'm living in an age Whose name I don't know Though the fear keeps me moving Still my heart beats so slow

    Oh, young Arcade Fire fans, your pain will never again be this sweet. But the old people might prefer "Funeral" (2004).

    Bishop Allen first came to my attention in the so-called mumblecore films of Andrew Bujalski, "Funny Ha Ha" and "Mutual Appreciation."

    Rent them now. Watch them. I'll wait. Then read the latest N+1. Harvard was cool for 20 minutes around the turn of the decade, so what? It's already over.

    I saw "Mutual Appreciation" with my friends Teresa and Brett in a small theater in the Village. Bujalski was there and answered questions from the audience about the kind of film stock he used and how he got non-actors (including his Harvard pals like Justin Rice, the lead singer of Bishop Allen).

    Fast forward to August 2007. Teresa, Brett and I were on our way to a show featuring a number of bands including Bishop Allen, which was touring to promote "The Broken String." We had spent the afternoon at a barbecue. My boss called me about a fire at the the former Deutsche Bank Building downtown. Brett and Teresa went on to the show, as I stepped out of the cab in Times Square and walked to work and worked on live-blog coverage of the fire, which killed two firefighters.

    By 11 p.m., we had put the first print edition to bed and there was nothing more to say on the blog. I hopped into a cab and reached the club just as Bishop Allen was taking the stage at midnight. It was a good show. I flipped a switch in my head and felt nothing about the sad story I had just been covered, because that is what I have learned to do.

    The rest of the list after #10 is dominated by Bishop Allen tracks from the monthly EPs they were putting out in 2007, songs from Radiohead's "In Rainbows," (I paid $5 to download it) and more from the Decemberists and Feist albums, a snapshot of a year that now seems distant, another era.

    The only anomaly lower on the list is R.E.M.'s 1987 hit "The End of the World as We Know It," which I listened to several times as I turned it into a ringtone on my then-new iPhone. It is the song that plays as my wake-up alarm. It is the song that plays when the newsroom calls. The choice is sardonic. This was only one day in my career that felt like the world ending, and nobody called. I just went.

    What My Smart Playlists Showed Me (2)

    Name of iTunes Playlist: Forgotten Favorites Rules: Rating is ***** (5 stars). Play count is greater than 5. Skip count is less than 4. Last played is not in the last 24 months. Date added is not in the last 24 months. [See all lists.]

    Top 10 From the List

    1. "Dreams" by TV on the Radio ("Desperate Youth, Bloodthirsty Babes"). Play Count: 22. Last played: Sept. 18, 2006.

    2. "The Good Times Are Killing Me" by Modest Mouse ("Good News for People Who Love Bad News"). Play Count: 21. Last played: July 30, 2006.

    3. "Keep on Breathing" by The Delgados ("Universal Audio"). Play Count: 20. Last Played: Aug. 27, 2006. 4. "Last Broadcast" by Doves ("The Last Broadcast"). Play Count: 20. Last Played: May 30, 2006.

    [youtube=http://www.youtube.com/watch?v=KRy8N1P1EUI&hl=en&fs=1]

    5. "Dreaming of You" by The Coral ("The Coral"). Play Count: 19. Last Played: March 26, 2006.

    6. "Silverscreen" by Jesca Hoop ("Silverscreen Demos"). Play Count: 18. Last Played: Aug. 27, 2006.

    7. "Dear Catastrophe Waitress," by Belle & Sebastian ("Dear Catastrophe Waitress"). Play count: 17. Last Played: Sept. 18, 2006.

    8. "There's Too Much Love," by Belle & Sebastian ("Fold Your Hands Child, You Walk Like a Peasant"). Play Count: 16. Last Played: Aug. 16, 2005.

    9. "The Wrong Girl," by Belle & Sebastian ("Fold Your Hands etc."). Play Count: 15. Last Played: Sept. 18, 2006.

    10. "At the Bottom of Everything," by Bright Eyes ("I'm Wide Awake, It's Morning"). Play Count: 13. Last Played: May 28, 2005.

    Annotation: Some favorite songs stay in rotation through the years, but others are forgotten for one reason or another. This smart playlist is intended to remind me of songs that I played heavily then forgot. Some were simply played out, overplayed. Or whatever drew me to them is no longer there, for one reason or another.

    Some strike me as embarrassing: Modest Mouse?

    Others surprise me: Is it really two years since I played the excellent "Dreams" by TV on the Radio? I'll play it right now, and restore it to the list of favorites I still play. I still remember the Delgados and Doves cuts as if they were yesterday, I'll probably play them now. What a pleasant surprise to see them again.

    I am still fond of the Glasgow ensemble Belle & Sebastian, love their lyrics and their sound, but after burning through that oeuvre at warp speed I no longer play them obsessively, trying to figure out what they're getting at in those enigmatic lyrics about love and books and tragedy and disappointment. It was more clearly a phase, I guess. They were already pretty well established before they came to my attention, and most of their best stuff seems to have been written in the mid-90s. This title song is not the best of the cuts on "Catastrophe Waitress," so it's no surprise I haven't listened in a while, but "Wrong Girl" still resonates. I feel no need to play it, though. There is more, too much more, Belle and Sebastan further down the list, after #10, with a few brief infatuations like "Stacy's Mom" from Fountains of Wayne.

    The Coral was a brief fling. I remember buying the CD at Tower Records on the Upper West Side, knowing nothing about them except what I could glean from the listening post setup in the store with their terrible headsets. It may have been the last time I was in that store, or any big record store, years ago now.

    The Conor Oberst/Bright Eyes album "Wide Awake etc." is his best -- the histrionics and goofy digressions are kept to a minimum -- but this is not actually one of the better songs on that record. I still play some of the others, but this one dropped out of rotation. I remember it having a Buddhist flavor. It's starts with a monologue about a plane crash that gets old after a while.

    I'm glad to see some strong female vocalists on here -- Jesca Hoop and half of The Delgados. Lower on the list (not shown here), some Rilo Kiley. I first heard Hoop on KCRW, a demo track, and it took some detective work to hunt it down.

    The Delgados reached a high mark with "Universal Audio." The song "Keep on Breathing" has a meditative quality, and it can still give me chills. It also must have had some resonance that year, as I recovered from massive blood clots that nearly destroyed my lungs.

    Am I still the person who listened to this music so much a couple of years ago? I am not sure, but I have kept breathing, at least.

    See other playlists and related posts.

    What My Smart Playlists Showed Me (1)

    Name of iTunes Playlist: Emerging FavoritesRules: Rating is ***** (5 stars). Last played is in the last 2 months. Play count is in the range 3 to 5. Date added is in the last 12 months. Skip count is less than 4. [See all lists.]

    Top 10 From the List

    1. "Boy With a Coin" by Iron & Wine ("The Shepherd's Dog," 2007.) Play count: 6. Sample lyric: "A boy with a coin he found in the weeds, with bullets and pages of trade magazines."

    2. "Fake Empire," by The National ("Boxer," 2007.) Play count: 6. Lyric: "It's hard to keep track of you falling through the sky, we're half-awake in a fake empire."

    3. "Candy Jail," by The Silver Jews ("Lookout Mountain, Lookout Sea," 2008). Play count: 5. Lyric: "Pain works on a sliding scale." [youtube=http://www.youtube.com/watch?v=jjtTGdhgjZY&hl=en&fs=1]4. "Oxygen" by Willy Mason ("Where the Humans Eat," 2006). Play Count: 5. Lyric: "I want to speak louder than Ritalin, for all the children who think that they've got a disease. I want to be cooler than TV, for all the kids that are wondering what they are going to be."

    5. "The News About William," by Calexico ("Carried to Dust," 2008). Play Count: 5. Lyric: "As her words fail and the sky grew dim, recalled how close to that exit l've been."

    6. "Bend to the Road," by Calexico ("Carried to Dust," 2008). Play Count: 4. Lyric: "Holding back your tears, letting go of your heart... Until it all spills out on the side of the road."

    7. "Wait Till You See Him (De-Phazz Remix)," by Ella Fitzgerald ("Verve Remixed," 2002). Play Count: 4. Lyric: "Painters of paintings, writers of books, never could tell the half."

    8. "Sly," by The Cat Empire, ("Two Shoes," 2007). Play count: 4. Lyric: "It's a pleasure to meetcha, you look like one incredible creature."

    9. "Pieces of You," by Islands ("Arm's Way," 2008). Play count: 4. Lyric: "It's madness."

    10. "Papillon," by the Airborne Toxic Event ("Does This Mean You're Moving On?" EP, 2007) Play count: 4. Lyric: "And I wish I had the guts to scream. You know, things aren't always what they seem..."

    Annotation: There are the songs you think are your favorites, and there are the songs that iTunes says you play the most. The iTunes smart playlists are valuable tools that can pull out a lot of trends about your listening habits.

    This Emerging Favorites list is aimed at figuring out the fresh songs that could be come future favorites -- songs I have bought recently, listened to more than a few times and given a high rating.

    I seem to be deep into a melancholy singer phase. Paradoxically, that means I'm in a pretty good mood. It's a more heavily male selection than usual, although the list could have just as easily included Rilo Kiley, Feist, Aimee Mann, Nina Simone or others among my recent purchases.

    This list is also heavily "alternative" or "indie," what a friend of mine calls NPR music, songs by artists who were probably interviewed on public radio or are played in heavy rotation on KCRW in Los Angeles. And that's fine.

    All of these songs are relatively recent releases. I don't listen to much music at all from the 60s, 70s and 80s, the oldies favored by many people in their 40s. I've always tried to stay current with music, and I think this decade has produced some of the best independent/alternative music I've heard in my life.

    See other smart playlist posts..